This ring is an exercise in sculptural restraint — a single oval dome set at an elegant cant, rising from a slender, perfectly round band. The piece was conceived and executed within the constraints of the One A Day collection: one hour, one form, one day.

The band itself is fine silver, round in profile, allowing the ring to rotate comfortably on the finger. But it's the dome that defines the design — a smooth, convex oval tilted deliberately off-axis, creating a dynamic tension between the horizontal band and the angled surface above. The dome catches and redirects light in a slow sweep, its polished finish acting as a mirror to the world around it.

What could have been a simple statement becomes something more considered. The tilt introduces asymmetry without chaos; the oval shape softens what might otherwise read as stark. On the hand, the ring sits low and close, the dome rising just enough to punctuate the finger without overwhelming it. It's a piece that rewards quiet attention — the kind of design that doesn't announce itself from across the room, but holds its own up close.

A study in form, finished in an hour, built to last.